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NJBIZ Queen of infomercials: Liantonio became pioneer in industry with Concepts TV

Queen of infomercials: Liantonio became pioneer in industry with Concepts TV

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Having just returned from mountain biking and hiking through Bhutan in the Himalayas, and currently planning her next trip to Iceland, Collette Liantonio shows no signs of slowing down.

 

Not even the sting of a Portuguese man o’ war on a recent trip to the Galapagos Islands could quench her thirst for risk-taking.

 

“Most of us crave adventure,” Liantonio said.

 

What else would you expect from the woman who took a risk 30 years ago to start her own production company serving an industry no one knew existed?

 

Today, she is the “Queen of Infomercials” — the person who almost single-handedly created the concept of selling products on late-night TV with commercials so wacky you can’t help but watch them.

 

And, more often than most of us want to admit, buy from them.

 

Liantonio seamlessly balances her global explorations with being a wife, mother and grandmother while serving as president and creative director of her multimillion-dollar production company, the Boonton-based Concepts TV.

 

“I’m not quite sure how I was able to do this, mind you, but I’ve been able to have a wonderful marriage, family, and still a very gratifying career,” Liantonio said.

 

But it wasn’t always so easy.

 

———

 

Liantonio started a family while teaching English, Spanish, film studies and speech at Rutherford High School and freelance writing.

 

When a client Liantonio wrote for purchased a direct response company and invited her to direct a commercial, Liantonio jumped at the opportunity despite having no experience.

 

“I filmed my first commercial in 1979 for a bug zapper — and it ended up being a success,” Liantonio said.

 

Though Liantonio would join an advertising agency in Manhattan shortly after, she couldn’t shake the thrill of directing.

 

“I just loved the idea that you could air a commercial and, hours later, know if it was successful based on how many products you sold and how the audience responded,” Liantonio said.

 

That simmering passion would begin to boil after enduring a terrible commute into Manhattan each morning while being a single mother of two small children.

 

So Liantonio left her stable job at the ad agency to start Concepts TV in 1983, signing the direct response company that started it all as her first client.

 

“That company hadn’t had a hit since my bug zapper commercial, so it was a good opportunity for me to jump back in,” Liantonio said.

 

Liantonio has since produced more than 3,000 successful commercials, turning products such as Pajama Jeans, Bedazzler, the George Foreman Grill and PedEgg into household names.

 

Her infomercials have featured dozens of celebrities, including Montel Williams, Joe Namath, Wayne Gretzky and Fabio.

 

And with more hits than any other company in the DRTV business, Concepts TV has always been a top-10 winner for short- and long-form infomercials.

 

“I’m known for wacky … campy … memorable demonstrations,” Liantonio said.

 

Like the time she hired sumo wrestlers to demonstrate Furniture Fix, which supports sagging couches, by sitting them together. Or the time she filmed the largest Amish community in Ohio — knowing the Amish cannot look directly into the camera — in a horse barn for The Amish Fireplace.

 

“It’s really hard to get someone to take their credit card out in one minute to make a purchase,” Liantonio said. “There’s an art to it.”

 

———

 

If infomercials are an art, consider Liantonio a Picasso — Concepts TV’s sales have increased by 35 percent over the last five years in an industry worth billions of dollars.

 

“Our revenue is not only based on production, but also on a percentage of sales,” Liantonio said. “We’re only as good as the products we sell … That’s why we’re perhaps bigger than we appear.”

 

While Concepts TV may seem like a small business located within a Victorian home in Boonton, it’s anything but.

 

The company works with clients all over the world in locations such as Korea, Mexico City, Jamaica, Scotland, London and more. Concepts TV also has the capability to create bilingual commercials for the Hispanic market.

 

“I only choose to film in New Jersey because … I can pay someone $500 dollars to film in their house for the day. If I were to shoot in Los Angeles, they’d want $5,000.”

 

Some of Concepts TV’s biggest clients are mainstream direct marketers, including New Jersey-based Telebrands Inc., IdeaVillage Products Corp., Ontel Products and Tristar Products Inc.

 

Mike Govindani, one of Liantonio’s clients, is a partner at Fairfield-based Spark Innovators Corp., a product development, marketing and distributing firm specializing in the As-Seen-On-TV industry.

 

“The spots that Collette and her unbelievably talented team have produced for us have been extremely successful,” Govindani said. “For the projects we typically hire her for, we expect to sell a minimum of 2 to 3 million units of that product in the first year — and that’s on the low side of what she can bring in.”

 

John Santilli, senior vice president of operations at King of Prussia, Pa.-based Lenfest Media Group, chooses to work with Concepts TV in New Jersey because of the collaborative nature of its team: “They incorporate our ideas and apply their direct response knowledge and creativity to them … Collette and her contributions are a big part of our continued success.”

 

———

 

Liantonio has a master’s degree in theater education from New York University, so it’s no wonder she runs Concepts TV team like a theater group.

 

“The idea of a cohesive, loyal team is all important to me,” Liantonio said.

 

She also takes her staff away on yearly company retreats, which in the past have included beach vacations in Cancun, spas in Arizona and sailing trips throughout the British Virgin Islands.

 

Concepts TV currently has 12 employees and one staff member in LA, where Liantonio plans to grow the West Coast business by putting another full-time production team on the ground there.

 

With such great employee benefits, job security and mentorship opportunities, it’s no surprise Concepts TV continues to grow — and is still considered a leader in its industry 30 years later.

 

In a traditionally male-dominated industry, Liantonio has earned more than 100 industry awards — and she’ll be the first woman inducted into the DRTV Hall of Fame in just a few weeks.

 

She has long been a strong advocate for female leadership and entrepreneurship. She serves with several organizations including the Women Presidents’ Organization, a nonprofit membership community for female presidents of multimillion-dollar companies, which provides peer advisory groups to accelerate business growth.

 

“You’ll be respected if you know what you’re doing, because you can’t argue with success,” Liantonio said.

 

Rated one of the 25 most influential people in her industry and one of the state’s Top 150 Women Entrepreneurs by New Jersey Monthly, Liantonio has no intention of retiring.

 

“I love what I do — because we make a little magic here.”

 

Thirty minutes at a time.

 

E-mail to: megf@njbiz.com
On Twitter: @megfry3

 

 

The perfect pitch
After more than three decades in the business, Collette Liantonio knows how to make infomercials that get results. Here are some of her secrets:

1 Competitive pricing and premium offers
“And that’s not all!” really does work.

2 Great products — that’s where it all starts
Collapsible hose? Yes. Collapsible drinking cup? No.

3 Compelling, creative exposition, including testimonials
Yes, the testimonials are from actual users (really), and yes, they really work.

 

Getting the sale
“You must call now … don’t wait … limited-time offer.”

OK, all that’s not necessarily true.

In fact, more people buy As-Seen-On-TV products from retail stores than from television. For every product bought directly from an infomercial, at least 10 of those products will be purchased in-store.

In other words, “As-Seen-On-TV” products are actually bought after they’re seen again in stores.

 

Measuring the metrics
According to Liantonio, direct response marketers typically buy play time on national cable markets during “relaxed” time frames throughout the day — 8 to 11 a.m., 12 to 3 p.m., overnight — when there’s no dominant competition.

After a two-week period, success can be calculated by cost-per-order. If marketers pay $10,000 dollars for TV time and receive 10,000 orders, that’s a $1 dollar cost-per-order.

Based on the numbers, companies can then decide whether to change price points or offers — or increase or decrease the number of times the infomercial runs.

 

To read full article please click here

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Collette Liantonio Hall of Fame Acceptance Speech at 2014 Response Expo

As a pioneer of DRTV, Collette Liantonio has devoted 30 years to an industry she helped mold. That industry honored her and her lifetime contributions with a well-deserved DRMA Hall of Fame induction at the Response Expo in San Diego.  In an acceptance speech that warmed hearts and brought tears to the crowd, Liantonio embraced the esteemed award with genuine sentiment, crediting marketers, media buyers, and staff (among others) for the privilege of working together and being a part of her extended family.

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Production House: The Top 10 Factors to Selling Fitness: Part II

Production House: The Top 10 Factors to Selling Fitness: Part II

Apr, 2014 By: Collette Stohler, Concepts TV Productions

Stohler_Collette-rev_fmt_0_0As she looked in the mirror, she tried to layer winter clothing over her body to cover the fat that had accumulated around her waistline. While she was embarrassed by the way she looked, she was more embarrassed by the way she felt. That former sexiness that exuded from her had vanished. In place of confidence was shame. She shuddered and slipped away as her husband tried to put his hands around her waist.

 

When it comes to selling fitness in the DR world, there are many important factors to consider prior to putting your product on the air. In the second of this two-part series (Response, January), here are five more of the top 10 factors to consider when selling fitness via DRTV:

 

  1. Visceral Reaction: Fitness products are never just about a body. Our psyches have amalgamated our bodies and our minds. Therefore, when showing a negative, show how the person feels. Is that wife ashamed of her muffin top and she pushes her husband away? Does that middle-aged man keep his shirt on at the beach because he is embarrassed of his beer belly? Focus on the visceral reaction that a user feels in the negative, as well as in the positive. If that same wife now welcomes a smooth touch from her husband with the help of your product, you have a lifelong customer.
  2. Viral Video: DR marketing splits its sales between the airwaves and the Internet, the latter being today’s breadwinner for marketers. But the Internet has never been the initial way to grab sales — until now. If you want to capture the eyeballs of the next generation, you have to be culturally and socially relevant. “TwerkOut Werk Out” is a fitness DVD series that grabbed eyeballs through YouTube and quickly spread through the Web’s crazy maze during Miley Cyrus’ “twerk” phase. This DRTV product appealed to a much younger generation, therefore “TwerkOut” needed to get in the faces of that demographic.
  3. Science: There is a reason why certain coaches produce better athletes than other coaches. Often it is because they rely on a scientific method. What is the science behind your product? Why will this product work when nothing else has? You need to show the viewer the science behind the spot. And you should have the scientific documentation to back up the theory behind the program. If you can enlist the endorsements of trainers, physical therapists, exercise physiologists and doctors, so much the better. A dramatic demonstration with equipment that measures performance adds credibility to any regimen. But, be careful. Greg Sater, a partner at Venable LLP, says that he is not the most popular person on set because as the attorney, he is “there to make sure his client’s claims don’t push the envelope too much.” Sater says marketers must find out earlier rather than later whether they’ve got adequate substantiation for the claims they want to make, or if they might have to rephrase them or come up with different claims.
  4. Animation: While you are explaining your product, it is imperative that you give the at-home viewer solid visuals that will anchor the message. For fitness products, animation is key. The average viewer at home is not an expert in human anatomy. But if you highlight muscles that are working on a real human or in complete animation, it clicks in their brain. This shows the at-home user what they have to do to get from point A — the couch — to point B — the results.
  5. Ease of Use: The consumer wants to know whether or not they have the ability to use the product and will enjoy it. Demonstrating ease of use through product demo, animation and testimonials is key. Sure you expect to sweat and work hard but a smile and a happy user tells a very important tale. But while you’re telling your tale, remember to turn off your microphone in between takes. Brett Hoebel, international fitness celebrity and former trainer on NBC’s “The Biggest Loser,” remembers the time he was shooting a fitness DVD program and happened to say a choice word or two about the director. Little did he know his microphone was still on! Luckily, a nice sound guy informed him, and Brett quickly learned how to mute his microphone!

 

While there’s more to consider (Does the product work over time? Is it safe? Do you provide proper instructions on use? Do you have an iron-clad money-back guarantee?), it’s an art form to inspire a couch potato to pick up the phone and take the first step. These 10 tips are a great start at completing your work of art. ■

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DR Hall of Fame Roundtable: The Pioneering Spirit!

DR Hall of Fame Roundtable: The Pioneering Spirit!

Apr, 2014 By: Thomas Haire

Members of the second class of the DR Hall of Fame chat about their histories, their passions and what makes direct response great.

 

74899Response Magazine and its Advisory Board will welcome the inductees for the second class of the Direct Response Hall of Fame at a special ceremony during Response Expo in San Diego at 3 p.m. on Thursday, May 1.

 

Not only will the group be honored during the induction ceremony but many of the inductees will also sit in on a special panel discussion with that will take place from 1:45-2:45 p.m. at the Hilton San Diego Bayfront.

 

The 10 inductees are:

 

  • Chickie Bucco is president of Katz Direct, a Katz Television Group Company.
  • Tim Hawthorne is the founder, chairman and CEO of Hawthorne Direct, a full-service brand response advertising agency.
  • AJ Khubani founded TELEBrands Corp. in 1983. Today, TELEBrands is thriving as a nearly $1 billion marketing giant.
  • Collette Liantonio launched Concepts TV Productions in 1983. Concepts TV has won more than 150 awards for hits like Go Duster, Better Pasta Pot and Finishing Touch.
  • Tony Little has been a television and fitness icon for more than 25 years, known as “America’s Personal Trainer.”
  • Pitchman and marketer Billy Mays’ dozens of hit TV products grossed more than $1 billion in sales. He passed away at age 50 in 2009.
  • Suzanne Somers spent 21 years on network television and has also been involved in in direct response television and home shopping for more than 20 years after introducing the Thighmaster in 1990.
  • Gary and Mary West founded West Corp. in 1986. The company went public in 1996 and, in 2006, was sold for more than $4 billion with Gary and Mary retaining approximately 20-percent ownership. Today, Gary and Mary are pioneering philanthropists.
  • Katie Williams has spent 30 years in direct response, founded both Williams Worldwide Inc. (1987) and Williams Worldwide Television (1992), and is the president of Southern California-based Ideal Living Direct and the founder and CEO of Williams Digital Direct.

 

This group joins last year’s class of inductees: Jim Caldwell, Frank Cannella, Bill Guthy, Kevin Joseph Lyons, Joe Pedott, Ron Popeil, Greg Renker, Sy Sperling and Sydney Yallen.

 

Recently, Response was able to catch up with all of the living inductees to discuss their careers, the direct response business and more.

 

BillyMays-rev_fmt_0What does it mean to you to be inducted into the DR Hall of Fame?
Chickie Bucco: It’s an honor to be recognized by my peers.

 

Tim Hawthorne: It’s a unique honor to be recognized by my peers and stand among the best in the business of DR. I’m humbled and appreciative.

 

AJ Khubani: When I think of the term “Hall of Fame” in other categories like baseball or rock-and-roll, I think of legendary figures that have achieved greatness. This is a great honor. However, I feel that my greatest business achievements are yet to come.

 

Collette Liantonio: It is an absolute honor to be inducted into the DR Hall of Fame along with such talented veterans of DRTV. Together we have helped realize the dreams of thousands of inventors and entrepreneurs. It’s thrilling to think that the products and shows we have created will be known for generations to come. I really feel we are a part of the American Dream.

 

Tony Little: I’m incredibly honored to be recognized by this renowned organization. I love the DRTV industry and to be included with the all-time greats means more to me than I can possibly express.

 

SuzanneSomers-rev_fmt_0Suzanne Somers: I first experienced direct response in the late 1980s with the Thighmaster. Its success blew me away. But what impressed me the most was having the ability to communicate directly with my constituency, which was a gift from my years on “Three’s Company.” And I wasn’t in character as Chrissy Snow — I was Suzanne. Since that time, I have spent more than 20 years in electronic shopping and in collaboration with great DR companies like American Telecast and, recently, with Hampton Direct. I have continued to enjoy this wonderful business.

 

Gary West: Mary and I are honored and very appreciative to be inducted into the DR Hall of Fame because the DR business made everything else we have accomplished possible.

 

Katie Williams: I’m honored to receive this tribute, along with other legends of our industry. Most of all, I’m grateful to the many people who have contributed to my success: mentors, clients, partners, team members and many dear friends from all facets of our industry. I’m fortunate to have been touched by so many amazing people.

 

ChickieBuccorev_fmt_0Why do you believe the Response Advisory Board supported your case for induction into this exclusive group?
Bucco: To me it’s an acknowledgment of the success of Katz Direct as a company.

 

Katz realized the need for specialists in this field and established Katz Direct 25 years ago. Katz committed the infrastructure and resources needed to deal with what we could clearly see was a growing category. And the company continued to support me as the business evolved and the needs changed.

 

Hawthorne: In October 1984, I produced one of the first infomercials to air in the modern era of long-form. In June 1986, I founded the first long-form advertising agency. I was one of 10 co-founders of the National Infomercial Marketing Association (NIMA, now known as the Electronic Retailing Association, or ERA). I authored a best-selling book on infomercial marketing, have written hundreds of articles published in industry trades, and I’ve been a DRTV and direct response thought leader for 30 years. I was the third recipient of ERA’s Lifetime Achievement Award in 2006. Hawthorne Direct has managed more than 900 different client campaigns and produced more than 400 television commercials — both long- and short-form — and won more than 400 industry awards.

 

Khubani: I was selected for longevity and TELEBrands’ leadership role in creating, building and maintaining the “As Seen on TV” category at retail.

 

Liantonio: My first commercial aired in 1979, so I was one of the pioneers of the DR industry. I pride myself on my ability to turn ordinary products into household names — AmberVision sunglasses, the Bedazzler, the George Foreman Grill, Pajama Jeans — classic commercials for classic products. While I am firm believer in the importance of a great script as the blueprint for a great commercial, it is the visual that captures attention, and I have a reputation for creating memorable visuals. If you’re flipping through the channels or fast-forwarding your DVR and you see women tap-dancing on the hood of a car (Auri Gold) or 1,000 lbs. of Sumo wrestlers filling your screen (Furniture Fix), you are compelled to stop. When you are compelled to purchase the product, then I have succeeded. That is the art of DR.

 

TonyLittle-rev_fmt_0Little: I hope it was because I’ve always tried to be an ambassador for the DRTV industry by promoting its value to the masses. I’ve also believed it was my responsibility to uphold the integrity of our business by always being honest with our customers and giving them the value they deserved.

 

Somers: Probably because it’s clear that I take direct response very seriously, and I have no intention of going away.

 

West: We hope it is because we always tried to set a good example for the industry and always put the best interests of our clients first.

 

Williams: I’m one of the pioneers — starting way back in 1983 when the Federal Communications Commission (FCC) deregulated advertising, resulting in the birth of infomercials and home shopping. I’ve taken a leadership role ever since, working with the legendary DRTV greats (Greg Renker, Ron Popeil, Peter Spiegel, Kevin Harrington, Fern Lee, and hosts of others), as well as introducing brands such as Philips, Microsoft, Toshiba, Mars, DirecTV and Hoover to DRTV. My company, Williams Worldwide, was one of the first to market products internationally, and I helped introduce entrepreneurs around the world to DRTV.

 

How were you able to maintain success in through all the ups and downs this marketing method has seen over the years?
Bucco: Clearly, it’s a tribute to the management and staff at Katz Direct. My senior management team has been in place for more than 20 years, and I can say with confidence that Ben Buchwald, Steve Diamond and Mike Lum are thought of as leaders with in the DR community. They are respected colleagues to our station clients and trusted liaisons to our agency and advertiser customers as well.

 

Hawthorne_T_REV_fmt_5_0Hawthorne: I’ve been an industry leader and visionary, with focus, ethics, perseverance, an amazingly dedicated and service-minded staff, and smart clients with great products and services.

 

Khubani: I get excited by the business. Enthusiasm has the amazing ability to drive one to overcome obstacles and the resilience to bounce back when he stumbles and falls.

 

Liantonio: The market will be capricious at times, but, ultimately, the consumer will always want and need product. DR is a proven method whereby you can immediately discern whether your campaign has success. Sometimes it is instant gratification, and other times it is instant disappointment. Nothing in the world, especially DR, is ever constant. The only thing that is consistent is change — and that is never boring. Talent is important, but persistence is my secret weapon. I always show up and I always bring my A-game. I am passionate about selling products.

 

Little: I think it’s because I’ve always been a forward, out-of-the-box thinker. I’ve been working live TV shows since the beginning and been involved with infomercials for many years. Throughout my career, I’ve tried to really listen to what my customers are saying and respond to them in a meaningful way. I’ve also worked very hard to diversify my offering of products, ranging from fitness to positive lifestyle.

 

Somers: Fortunately, with my television career and websites, I have been able to endure the down times of the business. After “Three’s Company,” I starred in “Step by Step” for seven years, as well as “Candid Camera,” “She’s the Sheriff,” “Suzanne,” “The Suzanne Show,” ”Suzanne Somers Breaking Through,” more than a dozen TV and feature movies — plus 20 years of starring in Las Vegas. The more television and personal appearance exposure, the more powerful our brand — it’s the perfect synergy.

 

West: We always asked our clients one question: “How can we help you be more successful?” We listened, we learned and we provided them what they wanted and needed. We never really thought about making money because we knew that would be a natural byproduct of doing the right things for our clients.

 

KatieWilliams-rev_fmt_0Williams: Maybe because I’m a glutton for punishment! Actually my success is due to my willingness to fail, to learn, and to keep moving forward. I’ve always said that DR is a business for the brave. With DR you know the results of your advertising within minutes/hours of launching a campaign, and you can’t hide from those results. Most advertisers operate in blissful ignorance of the efficacy of their campaigns, assuming that their beautiful creative will translate to sales months later, and blaming other factors if it doesn’t. With DR you can’t gloss over the results. DR keeps me humble because I still face failures every day, whether it’s a media buy that flops, a creative concept that doesn’t resonate, an offer that doesn’t convert or a myriad of other challenges. But I apply the lessons, keep going, and — fortunately — the successes dwarf the failures.

 

What does it say about the DR marketing industry when major brand players that used to avoid DR are now utilizing it extensively — not only to create sales but also to build brand?
Bucco: It’s all about return on investment (ROI) and as technology changed, the perceptions of DR changed. The advertisers themselves pushed the agencies to explore DR — and the results were evident.

 

Hawthorne: The DR industry has matured, and brand advertisers are finally getting it. Good advertising should be both memorable and measurable. We can build brands while generating immediate response and make all our advertising investments accountable.

 

Khubani: It reminds me of the California gold rush. If we would have kept quiet, we could have kept all the gold to ourselves!

 

Liantonio: Image advertisements are creative and beautiful, but direct response is unlike anything else in that you realize a direct sale based on your commercial. The bigger brands have recognized that our formula works. During the recession, the first budget cut was image advertising. DRTV delivers an ROI, and the world has taken notice.

 

Little: It’s certainly an important move for branding companies because there are more opportunities for their products or services — something those of us who have worked in DR for many years have always recognized! The one-product hits are fantastic, but the value of branding your company and products is a much better long-term growth area. I didn’t start out as one, but DRTV allowed me to become a brand!

 

Somers: Major brands that had done really well for many years believed that their way was the best way. Most major retailers were populated by management that did not understand how DR could add incremental dollars to their bottom lines. Once they got it, they all jumped in big time and it paid off. Now, it’s a very important channel for big retail to get to their younger demographic, who no longer go to stores and do all their shopping with fingers on computer keys.

 

GaryMaryWest-rev_fmt_0West: It screams, “Direct marketing works and, if done properly, it is cost effective!” Smart companies, big and small, are allocating resources for it in their advertising and promotional budgets.

 

Williams: Major brands like the tremendous impact of DR marketing, as well as the accountability. DR is an incredibly powerful form of marketing when utilized with expertise. DR fundamentals also underlie online success.

 

In your professional career or personal life, what have been the two biggest defining moments?
Bucco: In my personal life of course, it’s my marriage and the birth of my son. I believe I have a life well lived and have and will continue to have my work be a part of the fabric of that life. Professionally, being tapped to run Katz Direct was an important moment in my career.

 

Hawthorne: The night I launched my first infomercial in November 1984, I watched it on a huge satellite dish and then called the call center in Omaha, Neb., to discover we netted hundreds of orders and a 10-to-1 media efficiency ratio (MER). A year later, the product had $60 million in sales. An industry was born.

 

Another was the first meeting of the NIMA founders in 1990 at Venable in Washington, D.C., hosted by Jeff Knowles. There were 10 fierce competitors sitting at one table creating solidarity to protect and foster this new industry.

 

Personally, my wife, Laya, and I traveled around the world, visiting countries including Costa Rica, Ecuador, Namibia, South Korea and China, to produce a 55-minute pro bono documentary for World Teach, a program that sends college graduates overseas to teach English and live with the local residents for one year. The completed documentary premiered at the famed Brattle Theater near Harvard Square in Cambridge, Mass., won many awards and is used widely in education. It was a wonderful opportunity to give back.

 

Khubani_AJ-rev_fmt_0_0Khubani: Meeting my remarkable wife, Poonam, and having our three children. Yes, I realize those are technically four moments!

 

Liantonio: In my personal life, there were three defining moments: the births of my three children. In my business career, it was the moment I recognized our global impact on international culture. Imagine my surprise to see our American commercial airing in China for the first time? That filled me with such a sense of pride. Our infomercials now air throughout the world and sometimes they are so well-known that they are even spoofed. The day Johnny Carson spoofed the show for The Blade, I knew we’d achieved a new level of success. Since then, Chelsea Handler, Perez Hilton and truTV (to name a few) have all taken a stab at spoofing our spots — and I laughed right along with the world.

 

Little: The first would be my introduction to the infomercial industry at the second NIMA Awards by Earl Greenburg. The second would have to be becoming one of the first two celebrities to ever work on HSN’s live shopping on TV.

 

Somers: Professionally, being fired from “Three’s Company” for demanding to be paid commensurately with the men. After spending a year feeling sorry for myself, I realized that I had enormous visibility. I used that visibility to reinvent myself and create new businesses. Personally, successfully combining families with Alan Hamel has provided a solid foundation for life and a wonderful and creative group of children and grandchildren. “3-Way Poncho,” which was created by our daughter Leslie Hamel, rolled out nationally with Hampton this fall. It’s a hit!

 

West: Automating West Corp.’s order-entry system with color terminals that materially improved the phone agent’s ability to “upgrade” sales, which greatly improved clients ROIs.

 

Also, developing our own proprietary voice response system, which allowed West Corp. to vastly expand our product offerings to clients. This system led to West Corp. becoming the biggest audio/video conferencing company in the world (InterCall), as well as the industry leader in 911 emergency services (Intrado), both wholly owned subsidiaries of West Corp.

 

Williams: As long as I remember, I’ve detested unfairness and discrimination of any type. Although business was mostly men’s turf in my hometown, my parents did not recognize barriers to what girls and women could achieve, and taught me that I could be whatever I wanted. I started my “career” at age 14, delivering papers in Plattsburgh, N.Y., and breaking barriers by being the first papergirl in town. My customers would call for everyone in their house to “Come see our paper girl!”

 

Following that same trajectory, I founded my first company when I was 30, working from my kitchen table. In that first year in business, my largest client called me into its office to renegotiate our contract. I entered its boardroom where I met with the CFO and several other execs — all men, all in suits, and all with many more years of business experience — who proceeded to pound on the need to lower our commission or lose their business. Internally, I felt like a little girl, alone and outnumbered. But externally, I stood my ground and explained how my company benefited them and therefore deserved the commissions they paid us. After an hour or so of repeating my explanation in different ways, they conceded and my commission remained unchanged. I almost couldn’t believe it! In that moment, I realized the power of my expertise and of my dedication to superlative service.

 

In just a few years, the Los Angeles Business Journal honored my company as the largest woman-owned business in Los Angeles. Here’s a shout-out to my mom and dad — and to Peter Spiegel, my partner in both business and life, for their inspiration and love!

 

What’s the most significant accomplishment in your Hall of Fame career?
Bucco: Building Katz Direct into a successful, highly functioning company that remains relevant today. When I took charge of the group, its future was uncertain and its success far from assured. I’m proud to have played an integral role in its development and I am proud of the imprint our team has had on the industry.

 

Hawthorne: Creating a company that has thrived for 28 years and provided a supportive work environment, friendship, respect, creative and professional challenges and personal growth for hundreds of fine team members.

 

Khubani: Surviving bankruptcy — it’s the toughest thing I’ve lived through, yet the best thing that ever happened because of the enormous strength and insight it gave me.

 

Liantonio_Collett_2_fmt_0Liantonio: The year we received awards for the best short-form commercial (Contour Pillow) and the best long-form infomercial (Smart Mop) were significantly satisfying from an artist’s perspective, because our hard work and creativity were acknowledged by industry peers I greatly admire. My inner saleswoman, however, enjoyed the moment I realized my products were selling on the retail shelves of every drugstore and department store. Walking down the aisles — seeing “As Seen on TV” lining the shelves — made me feel like, “Yes! I have arrived.” My commercial campaign catapulted enough sales to make it, first, a household name and, second, a viable, tangible product on a shelf. It was very rewarding, especially since retail was initially our competition. But we broke down the barriers in order to give our clients success on multiple levels. Ultimately, my greatest accomplishment is triumphing on behalf of the client.

 

Little: It’s the opportunity to work with some amazing DR companies, as well as having more than seven successful infomercial shows. And, of course, there is the true blessing of being an early pioneer in the world of live shopping channels.

 

Somers: I could list the hundreds of products we have created or licensed, but the fact that I have actually survived in this roller coaster business is easily my most significant accomplishment.

 

West: We went to work every day, thinking about what we could do to help our clients be more successful. We were always truthful, admitted our mistakes, made things right with the customer and did whatever possible to see the same problem did not occur again. We were obsessed with doing things right, and to this very day, that is still the culture at West Corp.

 

Williams: My most significant accomplishment is that I am great at building “dream teams.” I have a talent for finding and cultivating exceptional talent. It’s very gratifying to me to see how many industry leaders were on my team, from those who have gone on to start their own businesses — Michelle Cardinal, Nancy Lazkani, Gerald Bagg, Renee Young, Lisa Bodlak, Robin Behar, Alissa Stakgold — to those who are running leading agencies — Ruben Hernandez — to my international friends —Tee Kuboki, Denise Graham, Janie Peace — to my current dream team at Ideal Living. I actually don’t know how I’ve been so fortunate to touch so many lives.

 

What’s most important to me is that I try to live my life with a feeling of service — service to my team members, to my clients, to my partners. And part of that service is also to help those less fortunate. Because of my success over the years, I’ve been able to help build hospitals in India that provide completely free medical care to villagers who otherwise would have no care at all. I’ve personally visited these hospitals and seen the dramatic impact they have in their regions — 500 people a day line up to receive state-of-the-art medical care at no charge. We also support a free school for girls. In an area where girls seldom have the opportunity to receive even rudimentary education, the school teaches hundreds of girls from first grade through college and has received the Rajiv Gandhi Award for Excellence. It’s incredibly gratifying to be able to make a difference in this way.

 

What other memorable accomplishments stand out in your career?
Bucco: I imagine one day I will be better at looking back and reminiscing about the memorable accomplishments of my career. Now, though, my attention is on today’s client calls and tomorrow’s avails, as I have yet to slow down. I am proud of that too.

 

Hawthorne: Authoring my book and hundreds of published articles; speaking all over the world at dozens of conferences; advocating the benefits of DRTV wherever I travel. Mentoring dozens of great employees, some of whom went off to create strong competing companies. Being honored by ERA with its Lifetime Achievement Award. Bringing DRTV to scores of brand advertisers.

 

Likely the most rewarding accomplishment, though, has been joining forces with my daughter, Jessica Hawthorne-Castro. In 2007, Jessica, who holds an MBA and is a former accomplished television literary agent with William Morris Endeavor Agency, joined Hawthorne Direct to help further manage and grow the company. Jessica joined as an account executive, and worked her way up the corporate ladder. Today, she represents the next generation of Hawthorne Direct and serves as our Chief Operating Officer.

 

Khubani: How about some memorable moments instead: opening my first mail order from my first ad placed in the National Enquirer in 1983; walking into Herman’s Sporting Goods and watching a consumer buy a pair of AmberVision sunglasses in 1989; and getting a cost-per-order (CPO) of 60 cents the first weekend our spot tested for the Whisper 2000 in 1990.

 

Liantonio: I love trying new things and breaking old rules. We were one of the first production companies to use female voiceovers successfully. (The mistaken “belief” was while most women purchase DR products, they only buy from male “voices.”)

 

I never accept “can’t.” I am a “can do” person, so I problem solve in order to get it done. But not just get it done — get it done right. Once I had to direct an infomercial in Korea without knowing or understanding the language! That was certainly challenging, but I hired a translator and made it work. Another time, I had to rely on my Spanish-speaking skills to direct an infomercial in Mexico City! When I shot the Amish Fireplace, we discovered the Amish are forbidden to look at the camera, so we got creative with camera angles — and it is by far one of my most memorable production experiences, because it represents our think-outside-the-box mentality. We create solutions at Concepts TV, and I’m very proud of that.

 

Little: I’ll never forget my first infomercial hit with Mike Levey and “Amazing Discoveries.” Mike was incredibly talented. And, of course, there are my Gazelle shows with Fitness Quest.

 

Somers: When it comes to marketing, I believe getting there first, creating a large footprint, and supporting it with massive amounts of promotion is the only way to be heard. Last fall, I did more than 200 interviews to support the marketing of my 24th book, “I’m Too Young for This.” It became an instant New York Times bestseller, as have 13 of my other titles. I consider massive promotion in launching a DR product vital to its success. It is as important as the product itself. It can be the lifeblood of DR. Before we push “go,” we plan, plan, plan! It’s our way of “going to war.”

 

West: Early on, we realized that to be successful on a large scale, we had to surround ourselves with the most qualified talent possible. Therefore, we hired the best talent money could buy, paid them very well, provided key people with an ownership position in the company and insisted they lived and breathed the “West Way of Doing Things” at all times. ■

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Searching for the Fountain of Youth in Response Magazine

Searching for the Fountain of Youth

Apr, 2014 By: Bridget McCrea

All generations of consumers are looking for new ways to look and feel better. DRTV marketers in the beauty and personal care category continue to help them achieve these — and other — goals.

 

shutterstock_82630318_fmt_0A stalwart in direct response marketing, the beauty and personal care category didn’t disappoint in 2013 and is already showing signs of more growth this year. Populated by products like Wen, Tommie Copper, Meaningful Beauty and no! no! — and pitched by celebrities like Montel Williams, Alyssa Milano and Cindy Crawford — the category includes a broad selection of items with a simple goal in mind: to make people look better and feel better about themselves.

 

Those efforts are paying off. According to The NPD Group Inc.’s BeautyTrends® Direct report, the nation’s prestige beauty sector (defined as products sold mainly in U.S. department stores), grew by 5 percent in 2013, while the skincare and makeup categories each experienced healthy gains of 7 percent. The direct-to-consumer channel grew 19 percent in 2013 and helped to drive growth for the beauty industry for the year. “Beauty was among a handful of industries showing growth in 2013,” said Karen Grant, NPD’s vice president and senior global industry analyst, in the report.

 

“Consumers continue to struggle with lower income levels, but the global economic environment continues to stabilize,” Grant continued. “The social trends all around us indicate an improving outlook and a willingness to invest when the associated risk is low; this is a real opportunity for our industry.”

 

According to NPD, today’s consumers are interested in value, but they are also willing to invest in premium-priced offerings. For example, while fragrance sales were flat in 2013, sales of fragrances priced at $100 and higher increased by 30 percent (in total dollars). Face makeup priced at $60 and up increased 28 percent, and skincare for the face gained 15 percent in dollar-on-dollar sales.

 

Appliances that address specific personal health and care issues are also hot right now. In its most recent Personal Care Appliances: A Global Strategic Business Report, Global Industry Analysts Inc. (GIA) credits a growing awareness of personal health and a focus on personal grooming with driving the personal care appliances market.

 

Projected to reach 600 million units sold annually by 2018, the market includes hair dryers and curling irons, massagers, trimmers, electric toothbrushes, shaving systems, and myriad other products that help users attain their personal health goals. In terms of unit sales, GIA says hair care appliances represent the largest segment in the global personal care appliances market, and oral care appliances will experience the fastest growth during the next four years.

 

An important driver of today’s beauty and personal care segment are the nation’s 78 million aging Baby Boomers — a good portion of whom are looking for the fountain of youth and interested in products that may help them find it. Add the nation’s obesity challenges to the mix and it’s not hard to see why personal care products like the Ankle Genie have been successful on the airwaves and the web.

 

“Between the aging of America and our obesity problem, the need for products that make people feel good is only going to grow,” says Collette Liantonio, president at Concepts TV Productions in Boonton, N.J. She not only produced the Ankle Genie show but she also used the product herself after having leg surgery in early 2014. “Things like swollen ankles and calves are very uncomfortable problems for us Baby Boomers,” she says, “that DRTV marketers have an opportunity to help solve.”

 

MeaningfulBeauty_fmt_0It’s a Vanity Play
Call them vain, if you will, but the reality is that Americans care what they look like, how gracefully they age, and what others think about them. This deep-rooted need to look and feel good for as many years as possible is what drives the beauty and personal care machine to higher sales and profits every year. In particularly high demand right now, says Scott Badger, founder and CEO at KPI Direct in Portland, Maine, are products that smooth out wrinkles, diminish fine lines, minimize acne, oxygenate skin, or help ease physical aches and pains. “People are looking for alternatives,” says Badger, “and seeking out topicals, skin care, cosmetics, anti-aging products, and other solutions to their problems.”

 

Having worked with several major beauty and skincare marketers during the past few years, Badger says the best successes come when those sellers “layer” multichannel strategies into their DR campaigns. “This helps them create relevant brands over time,” says Badger, “and it’s particularly important in the personal care/consumables sector where — without multiple channels — you’re dead in the water.”

 

Marketers that break through the multichannel barrier tend to do well in the beauty and personal care category, which is not only in high demand but also “pretty healthy margin-wise,” says Badger. Marketers that understand their consumers and that provide emotional hugs in their quest to alleviate specific conditions, he notes, are usually best positioned to reap those benefits. Making the category even more attractive, he says, is the fact that it’s recession-proof for marketers that consistently produce relevant, useful products.

 

“You’ve got to have a great product and you have to advocate for it,” says Badger. By leveraging social media platforms like Facebook, Twitter and Instagram, for example, both marketers and happy customers can spread the word about positive experiences from that new skin cream, acne solution, or piece of compression apparel. Consumers of this product category also need high levels of support, says Badger. They need to be able to return, exchange or get refunds easily and promptly, he notes, and get the help they need for whatever product they purchased.

 

“You have to create consumer advocacy and use multiple channels to get end users talking about their positive experiences; you want them to tell all of their friends,” says Badger. “When you can get that kind of buy-in on the front end — during the initial engagement — it converts into better brand awareness and maximum repeat purchase over time.”

 

Tackling the Multichannel Space
When developing their beauty and personal care campaigns, marketers are going beyond the basics and seeking out the most effective ways to connect directly with the consumers who benefit from their products. An increasing number of companies are using short-form versus long-form DRTV, says Kristy Pinand-Dumpert, Concepts TV’s vice president of sales and marketing, who also sees more marketers using free-trial offers versus hard price points.

 

And while producers aren’t necessarily selling products solely via YouTube yet, Pinand-Dumpert says her firm is using the platform to publish live demonstrations (without the need for time-lapsing) and to show full-length testimonials. “Anything that doesn’t fit into the short-form time allotment,” says Pinand-Dumpert, “we can now incorporate online.”

 

This multichannel approach also helps marketers work through the difficult task of standing out in the cluttered market. Skincare product shows can be particularly difficult to position for success, says Pinand-Dumpert, because they require extensive before-and-after shots to be believable. “We’re working within limited time frames with short-form,” she points out, “and it can be challenging to get the emotional buy-in that you need to get people to place an order.”

 

The hair care category also has become more difficult to penetrate, according to Pinand-Dumpert, due to the growing number of companies that are getting into the space. Those with lower price points seem to be thriving, she says, while those priced at premium rates tend to languish. “It’s definitely getting harder to make hair shows work,” she notes, “because there are just so many more firms trying out hair products than there were in the past. Breaking through the clutter is difficult.”

 

HotIronHolster_fmt_0The Supporting Cast
Hair products may be a difficult category this year, but marketers of a product that supports the hair care trend have carved out a successful niche. On the market since 2012 and sold by Holster Brand, the Hot Iron Holster, a silicone styling iron holder, is sold via QVC and online. According to Erin Balogh, the company’s president, what started out as a personal solution to managing hot, fragile styling tools is on track to become a multi-product line this year.

 

Balogh says Holster Brand sold more than 50,000 holsters last year at an average price point of $18.50 (QVC’s current price for the product). In addition to the U.S., the company is selling its innovative product in Japan, South Korea, Australia, the U.K., and Canada. “The expansion we’ve seen over the last year has been very exciting,” says Balogh.

 

To boost sales and spread the word about its product virally, the firm uses social platforms like Facebook, Pinterest and Twitter. “Facebook has been huge for us,” she notes.

 

This year, Holster Brand started selling a Hobby Holster for craft enthusiasts and, in March, it introduced a three-pocket “little holster” designed for use around the house. Balogh says home shopping sales have remained steady during the past year and says the educational aspect of TV makes it easier to demonstrate the unique product and show its usefulness.

 

RES0414_Beauty_Nielsen“Once someone sees the product in use, it’s easy to see how simple and fun it is,” says Balogh, who adds that DRTV has also helped her nascent firm build early brand awareness for its innovative offerings. “The product itself is pretty simple, but people don’t always understand how it works because there’s nothing else quite like it. By selling via QVC, we’ve been able to chip away at that challenge.”

 

In looking at the beauty and personal care category as a whole, Balogh says there’s high demand for products that suit a real need. Pinand-Dumpert concurs, and says the perpetual desire to look and feel youthful and energetic isn’t going away anytime soon. And that desire isn’t limited to the Baby Boomer generation — both Generation X and Millennial consumers are following in their parents’ footsteps and seeking out new, promising solutions to their problems.

“On the whole, people are always going to want to find a way to look younger, style their hair a different way, and be more confident in their appearances,” says Pinand-Dumpert. “Because that need and desire will always be there, the beauty and personal care category will continue to grow and expand in ways that help buyers achieve those desires.” ■

RES0414_Beauty_PersonalCareMarket